Date of birth : 10th December 1972

Nationality : American/English

Instrument played : Guitars, Vocals, Bass

Musical influences : Sonic Youth, PJ Harvey, Nick Drake, The Pixies

Bio : Born 10th of December 1972 in Belgium ( Brussels), Brian is the youngest of the two boys of the Molko family. The International banker career of his American father led him to different countries from Belgium, Lebanon, Liberia to Luxembourg where his parents finally settled down. He endured a lonely upbringing and felt much as an only child as his brother was ten years older than him and had left home.
Brian and Stefan attended the same American school in Luxembourg but never spoke to each other as Brian was already an outsider, preferring Drama to sport.
On October 1990, at the age of 17, Brian moved to England to study drama at Goldsmiths in London living in the southeastern side for five years.
His Scottish born-again Christian mother and his father tried to pull him in different directions in his formative years in the hope of making him becoming like them. But the only result they got from him was totally the opposite as he forged his own identity trying to escape from their educational, family and religious pressures, and became the nail-polish, lipstick and eyeliner-wearing, androgynous, travestite, drug taking musician that we all adore. Brian is one of the most charismatic singer of his time, creating along his way bunch of Molko lookalikes and turning innocent girls (and boys) into hysteric fanatics. Brian is definitely our 2Ist Century Boy.

Date of birth : 31st March 1974

Nationality : Swedish

Instrument played : Guitars, Bass, Keyboard

Musical influences : Depeche Mode, Abba, ‘dodgy rock bands’

Bio : Stefan, Placebo’s bass player, began his journey to musical stardom in 1987 by playing the drums for his school orchestra. He soon realised though, that he’d feel so much happier if he could be playing up front in a band, rather than sitting at the back un-noticed. “So I got on to bass and played that for a while at the same time as learning piano. The first bass I bought was a Fender Precision, because of Iron Maiden’s Steve Harris, but since then I’ve never really tried to emulate a particular sound or hero. I’ve always thought more about the creative side” he stated in an issue of Bassist magazine. Stefan, like Brian, also grew up in Luxembourg.

Date of birth : 25 september 1986

Nationality : American

Instrument played : Drums

Musical influences : Punk Rock

Bio: Steven Forrest is Steve Hewitt replacement when the latter left the band end of 2007.

Before joining Placebo, Forrest was drummer for the punk rock band Evaline. He announced his intention to leave Evaline in January 2007, but remained with the band throughout their 2007 United States tour.

During that tour, Evaline opened for Placebo, and Forrest came to be acquainted with them. In 2008 he took the vacant seat of Steve Hewitt.

Unlike Placebo’s previous two drummers, Forrest plays right handed, not left.

EX PLACEBO MEMBERS

Date of birth : 22nd March 1971

Nationality : English

Instrument played : Drums, Percussion

Musical influences : Nick Cave, Bee Gees, Smashing Pumpkins, James Brown, Fan of Prince

Bio : Born 22nd of March 1971, Steven grew up near Manchester in Northwich, home to Tim Burgess of the Charlatans. Steve actually played with Burgess for a time in the Electric Crayons. He also featured in a band called the Mystic Deckchairs.
At seventeen he saw an advert in Afflecks Palace: ‘Genius duo require drummer for German tour’. He duly joined Breed, toured Germany and left to join the Boo Radleys on a temporary basis. After recording the Boo Radleys debut album he was again gigging frantically leaving Breed on the back seat for eighteen months. Simultaneously, Steve was playing with then happening dance outfit K-Klass, who scored five top 40 hits from 91-94.
In time, Steve found himself being sucked into the London session work, doing the music for car adverts. Back then, money was always a factor. And money was the knife that slit Breeds throat. They came off Nick Caves “let Love In” tour (where Steve developed a friendship with The Bad Seed drummer Thomas Wylder), devastated to discover that they were still nobodies.
This was after six years together, two of those spent touring with Cave. Following a dismal, disastrous gig at the Bull and gate, Breed called it a day. With a pregnant girlfriend and no musical work forthcoming, Steve was forced to get a job as a forklift truck driver. “I had to get back into music again,” he decided, “I can’t function without playing” Today, aged 26, Steve doesn’t have to worry about jacking in his day job. In the past he’s been a joiner and an apprentice building racing cars for Williams; he even did a stint at Dougie’s Music store in Northwich.
Steve Hewitt became a drummer because one of the kids at school asked him to. His first gig was a school assembly at Weaversham High, playing Fleetwood Mac’s “Albatross”. He didn’t even have a foot pedal. A self taught player, at seventeen he was already teaching others, working out of Dougie’s store. Steve’s elder brother was a rock fan, so Steve loved AC/DC, Black Sabbath and Dio. Later he got into more indie-inclined likes of The Smiths and The Wonderstuff, along with the obligatory weed smoking Pink Floyd interludes. In terms of sound and style, Steve has taken Placebo’s recorded drum tracks and built on them. “I listened to the first Placebo LP,” he says, “and I thought Robert was technically a good drummer, but in terms of feel and groove it felt like he was fighting it. I’ve just sorted out the tempos really, on the stuff that was done before I joined, and just put more groove, more feel in it. Made it less uptight.”

THE GENESIS

PLACEBO are Brian Molko(vocals, guitar), Stefan Olsdal (bass, guitar and keyboards) and Steve Hewitt (drums). One American, one Swedish and one Englishman.
Placebo’s unique vision of music and life began in Luxembourg, where Brian initially met Stefan, who is Swedish, at school, at the ages of 12 and 11 respectively. As Brian recalls, “in the space of seven years we might have exchanged one sentence.”
Brian came to London when he was 17-years-old, studying drama at Goldsmith’s College. Stefan, meanwhile, had followed his parents to England, and was studying guitar at the Musicians Institute in the East End. It was thus by sheer accident that he ran into Stefan at South kesington tube station (at 9:30-a time when Brian was never awake),”There he was, with a guitar strapped to his back, and he didn’t actually want my phone number he asked for it out of courtesy” .

By that time Brian was also working on his own musical ambitions, writing songs as well as playing occasional gigs with a drummer called Steve Hewitt and happened to be playing a gig that night. Stefan attended, and immediately decided a band had to be formed ” I fell in love with his voice and his guitar playing because it was really different” remembers Stefan. Steve Hewitt - whom Brian first met outside Burger King in Lewisham in 1991 through a common friend who was Steve’s girlfriend- was also involved with another band called Breed, but contributed to Placebo’s intial demos when time permitted.
Because of his conflicting commitments with Breed Hewitt was replaced in Placebo by a Swedish drummer called Robert Schultzberg.
Olsdal called round with Robert with whom Stefan has been at school and in a band with in Sweden (he was coming to London to study music ) and Placebo was born.”It was perfect, it just gelled ” remembers Brian.
The band was named after a drug which cannot work, they figured something ” you only think makes you feel better”.

Robert was asked to leave the band on the way to a rehearsal for The White Room as the atmosphere within the band was unbearable. ” I think Robert had a very big problem with me being the personality that I am. I guess being more flamboyant than him, receiving more of the attention than him, being more of a focus in the band than he was. I just became increasingly tired the focus of Robert’s rages against the world. i did a lot to gain his trust, but it was never enough.” It was the original chemistry which eventually proved to be the most enduring, and Hewitt was to permanently re-join Placebo in 1996.

THE BEGINNING OF GLORY

By that time the band had already made an extraordinary impact. Startring with their live debut at London’s Rock Garden in January 1995. During 1995 they toured with Ash, Whale and Bush, determined to hook all-comers into their congregation , and released their debut single, ‘Bruise Pristine’ on the Fierce Panda indie label in November1995.
The band were also constantly on the road, playing club gigs and support spots in order to properly hone their music. Indeed, at the end of the first year Placebo had their first taste of tangible success when ‘Come Home’ a single recorded for the Deceptive label, reached number three in the indie chart.
In January 1996, Placebo signed a deal with Hut Recordings. They’ve attracted attention from the outset, pursued by A&R men repeating the mantra, “You were brilliant. We’ve got to meet up.You blew me away,” Placebo secured their deal with Hut a mere 51 weeks after their first ever gig.They have also, in that time, set up their own label, Elevator Music, via a special deal with Hut Recordings.They began in 1996 with the critically acclaimed ‘Come Home’ single in January ‘96 and toured the UK with Belgian art rockers Evil Superstars and Europe with David Bowie, he became a fan of the band instantly, he invited Placebo to support him on several of his European concert dates.
“We went from 300 capacity venues to 8,000 to 12,000 capacity stadiums almost overnight, which was freaky,” Brian notes “Now we’ve played to 16,00 people in Paris, those festivals are not going to scare us” .

DRUGS, SEX AND ROCK’N ROLL-THE FIRST ALBUM

Placebo’s first album was recorded in Dublin during the spring of 1996 The 10 tracks were mostly about sex. The self-titled debut album was released in June of 1996 preceded by singles ‘36 Degrees’ and ‘Teenage Angst’ and went on to achieve gold status. Placebo then returned to the road, re-tracing their touring schedule of the previous year, this time playing to packed houses throughout the country.
When Robert ‘left’ Placebo, Steve was the first drummer to be phoned by Brian who had placed Steve at the top of a list of three. ‘ I sat in my bedroom with my practice kit for two weeks and learnt the LP’, Steve recalls ‘ Then we had one and a half days rehearsal before touring thirteen countries in four months!’.In that way, the band embarked on a series of international tours - in America, Germany and France - .

If confirmation was ever needed about Placebo’s rising fame, it came in January 1997 with the release of ‘Nancy Boy’ as a single. As one of the stand-out tracks on the album, ‘Nancy Boy’ went to number four in the UK chart .
The same month Placebo played at Madison Square Garden in New York as special guests on the bill of David Bowie’s 50th birthday party. The New single Bruise Pristine was released on May 12th. The band were clearly visible throughout much of the year, headlining their own UK tour, culminating with a show at London’s Brixton Academy - before supporting U2 on many of the Popmart European dates.

THE CALMING DOWN-SECOND ALBUM

Placebo were also invited by executive producer Michael Stipe to play parts alongside Ewan McGregor and Eddie Izzard in the forthcoming film Velvet Goldmine, due out to be released in the autumn of 1998.
The time had come for Placebo to record their second album. At the begining of 1998 the band started work at Real World Studios in bath, with Steve Osborne - whose past credits include U2 and The Happy Mondays - as producer. Due to be unveiled in October 1998, the new album is a collection of twisted love songs which deal, in one form or another, with heartbreak and loneliness. All this is fuelled by a powerfull new sonic identity; there’s now sex in the groove, the result of Steve ’s obsessions with funk and hip-hop. Despite being out of the public eye and in the studio for months, on end August 1998 saw Pure Morning, the first single from the second album, go straight to number four in the UK charts.

Without You I’m Nothing, their Virgin debut, expands upon the sound of Placebo’s earlier eponymous disc (released in America on Caroline Records) and shows the London-based trio thriving on ambiguity, uncertainty, and pure glorious noise. And once again David Bowie shows his attachment to the band offering us a sublime duet with Brian of Wihtout You I’m Nothing, the 4th single.
For the pleasure of French fans and their own delight, the band released a French version of Burger Queen on November 23th before starting a third album.

THE MAN IS BACK

July 2000, more viril than ever, the man is back, and he didn’t lose of his good taste.
Taste In Men is the first single of the so much awaited third album recorded in London with Paul Corkett who engineered WYIN.
What must we expect ? Something as good as WYIN ? Something different ? Brian promised it to be “a distillation of what we’ve done before”, ” It’s anger and energy”.

10 October, 2000. The world release of Black Market Music. Awaited by the fans and the critics. Placebo are in France to promote the album, autograph session in a music store, an interview and a live performance in a French show. Is it enough to convince the audience ?
Well the critics are sharp. How can they do something better than “Without You I’m Nothing” ? That is the question. Are they able to do something different from their previous releases ?
As Brian says, it is indeed a distillation of the successful first albums, nothing new, the same nervous guitars and twisted love songs. Just pleasant. “Run away from all your boredom”…Seems like it was what the critics expected. But the fans are there, others are joining the troup…And there’s apparently no one who will stand on their way.

October 2001, Placebo will brilliantly end their world tour back in Europe, having marvelled thousands rimmed eyes around the world. Finally some rest for the band…They brought back some souvenirs for us.

SLEEPING WITH “SUCCESS”

24 March 2003, after 2 years of silence, well not really silence but let’s call it discretion : collaboration with Alpine Stars - Carbon Kid-; Trash Palace - Je t’aime moi non plus- (Brian and Asia Argento going back and forth to the Serge Gainsbourg so famous call-to-sex song), the trio is coming back with “Sleeping with Ghosts”. Rather promising album, it was definitely not a Bitter end for Placebo. Excellent tracks such as the devilish intrumental “Bullet proof Cupid”, the mellow slow “Centrefold”, “Protect me from what I want”… Some tracks are definitely bringing us back few years ago, during the glorious “Without you I’m nothing” time. Those same successful ingredients will lift that album to the charts again for our great pleasure.

2003 is the year of all success. Placebo did reconcile with its WYIN past success. A successful tour followed by a DVD release “Soulmates Never Die Live in Paris, Placebo are surfing on their wave, and we hope that it will last.

MEDS

13 March 2006, Placebo is coming back with the fifth album MEDS. But it is again after a couple of years of productive silence.
Brian Molko never stops. Hold your breath (as the list is long). During those two years, he gratified us with :
a CD and DVD “Once More With Feeling - Singles 1996 To 2004, a collaboration with Jane Birking (2004), Kristeen Young (2004), Tino Mass, and last but not least, French band Indochine (end of 2005). He also participated in a tribute to Gainsbourg with two covers songs featuring in the beautiful “Monsieur Gainsbourg” various artist compilation (2006). Who said Mr Molko was having a rest?
Meds is at the same level than the previous albums, nothing overlwhelmingly original but still has it’s Placebo-style charm. It reflects the band’s prolific years of collaborations by having REM’s Michael Stipe (Broken Promises) and The Kills’ Alison “VV” Mosshart (Meds) as special guests.

BATTLE FOR THE SPOTLIGHT

8 June 2009, after 3 years of silence with many lifeturns like paternity for Brian, touring, and the departure of Steve Hewitt as the drummer, they released their 6th album, Battle for the sun.
The band is now striving to get back to the front stage and it works wonder as their return is awaited and acclaimed.
The release of the album is immediately followed by festival and gigs. They are back. And back in good shape.
Brian grew his hair even longer than during the Meds period. As you can see. There are things that don’t change, his never ending change of haircut.

December 2007, Steve Hewitt left the band due to “personal and musical differences” and was replaced by mid 2008 by Steve Forrest, after 11 years in the band.

Stay tuned… To Be Continued …

Silver Rocket
P.O. Box 327
Hayes - Middlesex UB3 2XR
United Kingdom